Blues Singer Lady A Responds to Lady Antebellum’s Lawsuit

“If you want to be an advocate or an ally, you help those who you’re oppressing. And that might require you to give up something because I am not going to be erased.”
Lady A
Lady A (Dawn Lucrisia-Johnson for the cover of Doin’ Fine)

Seattle blues singer Anita White, who performs under the name Lady A, was sued yesterday by the country band Lady A, who were Lady Antebellum until they recently changed their name. The band are suing White for the trademark rights to the name Lady A while not seeking monetary damages or for White to perform under a different name. In a new interview with Vulture’s Andrea Williams, White opened up about being sued by the band.

White said that after speaking with the band and talking about recording a new song together, the band sent over a contract on June 30 that White claims “had no substance.” “It said that we would coexist and that they would use their best efforts to assist me on social-media platforms, Amazon, iTunes, all that,” White said. “But what does that mean? I had suggested on the Zoom call that they go by the Band Lady A, or Lady A the Band, and I could be Lady A the Artist, but they didn’t want to do that.”

She explained that in the recent past, she was unable to verify that her name was Lady A for multiple days while attempting to upload a new single to streaming services.

In the band’s statement, they cited White “demanding a $10 million payment” as their reason to filing the lawsuit. White explained to Vulture that she wanted to use half the money to rebrand and donate the other half to organizations that support independent Black artists.

“I was quiet for two weeks because I was trying to believe that it was going to be okay and that they would realize that it would be easier to just change their name, or pay me for my name,” White said. “Five million dollars is nothing, and I’m actually worth more than that, regardless of what they think. But here we go again with another white person trying to take something from a Black person, even though they say they’re trying to help. If you want to be an advocate or an ally, you help those who you’re oppressing. And that might require you to give up something because I am not going to be erased.”

Update (07/11 12:44 a.m. ET): When reached for comment by Pitchfork, representatives for Anita White shared the following statement from the singer:

Statement from Anita White. The real Lady A.

Black Lives, Names, Experiences, Work, Art – They All Matter.

July 10, 2020, Seattle, WA

I first heard about Lady Antebellum’s planned name change after they went public on June 11, 2020, at which point I was shocked and taken aback. During initial calls with the members of the band—Hillary Scott, Charles Kelley, and Dave Haywood—I hoped that we could reach an agreement that left both sides whole. Lady Antebellum understood that their use of “Antebellum” was offensive and that their adoption of Lady A harms me, as I have been using the name professionally for over 30 years.

Though they recognized their impact, Lady Antebellum has not been receptive to my proposals for correcting their infringement, unfortunately. It has already been demonstrated why co-existence will simply not work. My fans used to be able to listen to my music on streaming services; now they struggle to find me. Due to Lady Antebellum’s massive rebranding efforts, Lady Antebellum has erased me from every platform. Lady Antebellum has used their wealth and influence to intimidate and bully me into submission without offering any real recompense for appropriating my name. It is now clear that their apologies, friendly texts, and playing on my love of God were just insincere gestures aimed at quieting me. Well, I will not be quiet any longer.

After being called out for taking my name, Lady Antebellum and their team of publicists and attorneys are doing what many folks of privilege do when asked to cease and desist bad behavior. Hillary, Charles, and Dave are attempting to change the narrative by minimizing my voice and belittling my experience as an artist – as if having a lot of money gives them permission to tread on my rights. I have worked too long and too hard to just give my name away.

The band’s decision to change their name to Lady A follows the trend of many other groups and organizations working to distance themselves from racism in the wake of the uprisings in this post-George Floyd world. Someone finally told them—or perhaps they knew all along and didn’t care until now—that their name reminds Black folks of just how much was taken from us in the past: our lives, freedom, languages, families, and, yes, our names. It is absurd that Lady Antebellum has chosen to show its commitment to racial equality by taking the name of a Black woman, particularly in this time when we are reminded every day to “Say Her Name.” It is one more demonstration of what continues to be taken away from us in the present. Given the way that Hillary, Charles, and Dave have treated me, I am not surprised that they used the name Lady Antebellum for so long or that their cure is to adopt a name that is only less overtly racist. The A in their name stands for Antebellum and always will. If they are truly committed to racial equality, why do they want to maintain that association, especially when it means making a public, intentional stand to disregard me and my rights?

Lady A is my identity—and it has been since 1987. I want to be able to freely use my brand that I spent decades building. I do not want to part with it. It is particularly painful to me, as a Black woman, to lose my name in THIS time and place so Lady Antebellum can use it as shorthand to celebrate a time and place connected to and very heavily reliant upon slavery. I asked for $5 million to compensate me for this loss, and to help me rebuild under a new name. I also asked that they donate $5 million to a charity so that we could work together to promote racial equality. It was my impression from our communications that this would appeal to Hillary, Charles, and Dave. I guess I was wrong.

Their refusal to come to an agreement that would be respectful of my work and my rights, however, has given me the clarity and the drive to not back down. Black lives, names, experiences, work, art—they all matter. Fellow independent artists have reached out to me to share their stories of name feuds that they lost because they were on the opposite side of big money and privilege. Not only will I not be one of them, but I am hopeful that this fight for what is rightfully mine will help those damaged by this type of bullying and erasure in the past, and that it will prevent it from happening in the future. I will not allow Lady Antebellum to obliterate me and my career so they can look “woke” to their fans.

This article was originally published on Thursday, July 9 at 6:24 p.m. Eastern. It was last updated on July 11 at 12:44 a.m. Eastern.